Showing posts with label Facilitation. Show all posts
Showing posts with label Facilitation. Show all posts

Sunday, December 18, 2016

Holiday Craft for Facilitators, Moderators and Speakers: DIY Speaking Cards



You are speaking, facilitating, moderating, or MCing at a BIG event.

You are in front of dozens, hundreds, a thousand people, and you are introducing people with big names and long titles.

The lights are bright, the video camera rolling, surrounded by a buzzing room full of eager participants. Can you remember all those names, important titles, their honours and awards, and in the right sequence up there on stage?

You need some notes! But you don't want to hold those crinkly printed white papers, or a handful of index cards that might accidentally flutter down to the floor like snowflakes, mixing themselves gleefully all around your feet.

Here's an easy DIY craft for the holidays (she said only partly kidding, because when you really need them you might not have the time or patience to make them, or the right materials, so think ahead!)

You need just a few simple supplies:

Materials:

  • Rectangular facilitation cards in the color of your choice - maybe a different colour every day, one that matches your clothes, or the branding of the event? 
  • White paper to cut to size.
  • Scissors
  • Glue stick
  • Hole punch
  • Pen
  • Ring (that opens, I bought a pack of these in an office store)
Make your cards: 
  1. Cut the papers to size so they fit into the middle of the card and don't leave too much extra space, but a nice frame (remember people will see this in your hands).
  2. With the glue stick, stick the white paper on the card on one side (leave the back blank OR put your logo or the event logo on the back.) I think a plain volour back looks less fussy.
  3. Punch a hole in the upper left hand corner - try to put the hole in the same place for every card so they aren't uneven in your hands.
  4. Put the ring through. Click!
  5. Number the cards (still helpful so you know where you are.)
  6. Write your notes on one side of each of the cards.
  7. Feel happy that your notes look good, they won't get out of order, and you will remember everything to make things run smoothly and give you peace of mind! 


Happy Holidays and Happy Facilitating from Bright Green Learning!!

Thursday, July 07, 2016

Too Good to Be True? Is Your Consultation Workshop Going Too Well?


I had the great honour and pleasure to be the process steward for a multi-stakeholder consultation recently around a complex new idea (which is exactly when you want and need a multi-stakeholder consultation) in the sustainable development field. The issue was one that had significant potential environmental, social, economic and political implications that people and their organizations felt very strongly about. In the room were representatives from a number of sectors - multi-national corporations, government officials, NGO and civil society actors, etc.-, and the potential for a good deal of power asymmetry to be expressed.

Pre-work for the consultation had shown a diversity of opinion on our topic. This 2-day face-to-face meeting needed to surface all the reactions, opposition, ideas, and suggestions from this diverse group of experts in order to make the idea more robust, more applicable and have more chance of success. Among our desired outcomes, we wanted to be able to anticipate and address the wants and needs of the sectors and organizations that could be implementing it in the future. We were clearly discussing a good idea with a lot of potential, thus the good turnout to the invitation to join, and the high level of attention and engagement of the people in the room.

The consultation process was designed to maximise the contribution that every individual participant could make, their opportunities to provide comments to each aspect of the idea, and the time they would have to explain the rationale behind their input. The focus for the committee presenting the idea was to listen deeply, be curious and ask good probing questions to further their understanding. At the foundation of this consultation was the firm belief that any question, input, challenge from the group could only make the idea better, more appropriate and more applicable in its second iteration. So we needed maximum authenticity and a safe space to share what might be opposing views.

This post isn't actually about the process that we used to do this - that's another article that I will write at some point. This post focuses on an observation that provided some powerful learning for me about the assumptions we all hold and bring into our processes and work with other people.

The first day of our consultation went very smoothly. The group was high-level, well prepared and worked together diligently to provide comments, document them - discussing, analysing and developing some very useful key messages from their small group analysis. There was laughter periodically in the room in spite of the seriousness of the topic, great questions were asked, the wall templates were filling up with colourful nuggets of incredibly useful and thoughtful contributions. Everything looked rosy.

I was getting very nice feedback from people at the end of the day and during our group dinner. And then the question came.  A member of the idea committee asked earnestly, are people being too nice?

Where's the clash? Where's the conflict? Are people giving their real opinions? This took me a little aback. I would say in a very useful way. It gave me the opportunity to think about assumptions (which I always enjoy) - all the different assumptions that people hold that are creating the reality we are sharing. Including me.

I could see that the assumption on the part of the person earnestly questioning if we were getting what we needed, was that difference in opinion in their experience was signaled by overt public disagreement, which can lead to passionate speeches, high emotion and possibly visible conflict in a face-to-face meeting of minds. This was clearly absent in our process so it caused a question mark to pop up for this person and then a desire to go around and check with people to see how they felt about the environment we had created to provide inputs. Hmmm, interesting.  I felt my face - was I wearing rose-coloured glasses?

For me, as the process steward and facilitator, my assumption was that people were happy because they were able to provide their viewpoints in a structured and constructive way. So the absence of open conflict was a sign that the process was providing them this opportunity, and so they were satisfied and comfortable, able to both provide their views and get to know each other and laugh from time to time. I actually very rarely have any kind of open conflict in my workshops and processes because I try to use different methodologies that aim to capture all inputs (rather than those of the loudest or most persistent), provide anonymity when needed, value inputs through multiple levels of discussion and analysis that allows people to work with ideas rather than refute them. I use Appreciative Inquiry to inform my question articulation and keep the pace moving and visually stimulating, and mostly out of long, open, unstructured plenary sessions where speechifying and checking your email is tempting, and the feeling that you are not making progress is tiring.

So the question made me usefully pause and notice again my assumptions and gave me an opportunity to check in with the group. This was a good idea for all - it would help me understand if the process was providing space to capture opposition to our central ideas (rather than being designed  for harmony at the cost of good input), it would help the person who feared that the lack of open and vociferous dissent meant that people were being too nice (and that nice meant no opposition); it would reinforce our principle for participants that all views were appreciated - the good, the bad and the ugly. We wanted them all!

I decided not to just ask the BIG question to the group in plenary at the beginning of Day 1, as that would be a risky format to do it and in that situation people might not feel comfortable to single themselves out and speak up in the awkward silence after such a question so early in the morning. So instead for the next set of discussions around the inputs, which were a little higher level and bigger picture, we asked for the "elephant in the room" (things that have not been spoken but need to be spoken) as well as key messages from their analysis and small group discussion.


The addition of that little question worked very well. It was an unexpected visual, amusing and energising question at that moment in the consultation (we were talking about biodiversity and had already spoken about elephants once in a more realistic context). Groups could identify one big elephant or a herd of small elephants. It invited everyone to think about what might be some of the underlying and potentially unspoken or softly spoken issues, at any level, of our consultation.

It also gave another way to analyse the patterns of the contributions, and it allowed us to see if there was anything new that we had not heard rumbling up before, or if the elephants identified now were more thought-through conceptualisations of things that had been emerging but perhaps not yet fully formed in all the different discussion activities as we went along. We found more of the latter which was heartening and also found it to be a valuable way, towards the end of our consultation, to help summarise and crystalise collectively the most important action areas for the idea moving forward.

It's not often that you get a stop-and-think-question like, "Is this going too well?" that helps you test your assumptions (and those of others) while you still have everyone in the room. In the end, the consultation went well, the energy in the room was high, and we got those comments, ideas, gaps and elephants, with and without my rose-coloured glasses.



Wednesday, April 13, 2016

The Places You'll Go, the Things You Will Do (Unless…): Facilitation and Roles at Large Workshops and Conferences



(I love the fact that I really do learn or re-learn something new every day...)

You might be the Facilitator, in charge of weaving together threads of themes, helping people make sense of complexity, ensuring time for reflection and assimilation of concepts, framing and debriefing activities that will help participants share their thoughts or co-create radical new ideas. You might be on stage bringing energy to the group when they need it and watching participants to make on-the-spot modifications to match their needs and interests. 

You might even be introducing the Minister, Ambassador, Permanent Secretary and CEO. Effectively you are there to make sure that the investment of tens of thousands or even hundreds of thousands of dollars in convening the right people for this workshop or conference is fiscally responsible and has the results that ensure a return on investment by the hosts. That’s your job as Facilitator.

And you might also be doing the following:
  • Finding volunteers to translate job aids into different languages;
  • Printing and making photocopies of job aids in two languages (and finding paper for the copier and then taking it completely apart to clear the paper jams);
  • Putting the job aids on the 25 tables in the plenary;
  • Making the background PPT slide set that runs behind the programme (giving it to technicians and changing it as things change);
  • Clearing the tables of cups and other ephemera and replenishing materials needed on the tables;
  • Putting the chairs back around the tables and smoothing table cloths before the next plenary so that it looks tidy and inviting to participants;
  • Taking care of things people leave in the room (walking lost and found - phones, cables, USB keys...);
  • Making signs to indicate the breakout rooms locations;
  • Getting people into the rooms on time.
  • Standing in front of said signs to help people find their rooms;
  • Finding interpreters for parallel sessions;
  • Performing materials husbandry tasks - dividing up materials needed by parallel sessions and delivering them to the rooms at the right time, finding lost markers, saving enough materials for the last sessions;
  •  Finding the rapporteur to hand over the written results from the working groups.
  • Double check everything and field what quickly becomes Frequently Asked Questions.


So you also might get to do these things at your large event. These details make a difference you know; they contribute to the visual aesthetic of the event; they signal care, respect and professionalism; they make the event feel smooth to participants and reduce any anxieties that can come between attendees and their learning and contribution to the event. 

It’s definitely not a problem to do them and you are certainly willing to pitch in, and they need to be done. By you? These important roles could also be assigned in advance of the event to other team members who could do them sometimes even more quickly and easily than you - the operative word here, that might occur to you exactly in that moment you are taking apart the photocopier for the second time rather late at night, is definitely in advance

To enable this better division of labour it is great to think systemically about the event in the weeks before and make a check list of all needed roles to assign before your big meeting and conference (as with a small one, these things don’t take so much time, but with 180 people then that is a lot of tables to straighten up after a plenary) and then ask who might like to take them on. There might be a short list of roles already that you can add to from what you know about what makes large events work.

As the more time that is needed for these things, the less time you have to focus on, and prepare for, the participant-facing facilitation work you will do - not to mention grabbing a couple of minutes of your own to clear your mind, rest a little in the hubub of the conference, refocus your thoughts and look at the scenery that might just be outside your meeting room…




Facilitating large groups? Here are 3 more related posts: (Module 10 in our Bright Green Learning Academy is also on this topic)
  1. When Numbers Soar: Working with Large Groups
  2. Going Large: Tips for Running Facilitation Teams at Big Conferences
  3. Building Peer Learning into Mega-Events and Conferences


Monday, October 19, 2015

Facilitator, Do You Have a Plan C?

Plan A and B crossed, Plan C take over
In June I had the opportunity to work in Sweden at a wonderful event on the seaside. I got the job because a friend of mine who usually worked with this group was unavailable.

Unfortunately I had another event scheduled until 6pm the day before in Switzerland which meant that I needed to leave my event promptly, drive the 30 minutes in rush hour traffic to the Geneva airport, take a flight to Copenhagen, and there make a 35 minute transfer onto the last flight of the day to my Swedish destination. I would arrive at midnight, and my event started at 8am (outside the city).

What could go wrong? My Swedish counterpart there asked a good question, what if… What was my plan B, she asked? Well, effectively I was already their Plan B as their regular facilitator couldn’t make it, so what was my Plan C, in case any of those many moving parts to get me to the event in time, didn’t actually move.

That is a great question that we should always ask ourselves as facilitators (or trainers, or any person on whose participation an event may hinge). What if we fall ill, miss that flight, get taken to the wrong venue in a city we don’t know?

Now, I have in the past run a plenary session with a dizzyingly high fever, covered in sweat and practically swooning in the blurry spotlights  in front of me (this was at a UN conference in Damascus many years ago – with organizers with a “show must go on” attitude. It was nothing that a huge dose of antibiotics and 2 days in my hotel bed afterwards couldn’t “cure”.) But I have also gotten a call at 05:30am on a weekday from my colleague who was desperately ill, and then found myself standing in a workshop room a couple of hours later picking up with a surprised group where she left off. (That was the source of another couple of blog posts – Facilitators: To Your Health! and Managing Exceptions – The Resilient Facilitator. I also wrote a blog post from the perspective of the stand in - Flu Season! Facilitators Prepare to Step In!)

So sometimes the Grin-and-Bear-It approach can work, or if not, calling a colleague with whom you have a good working relationship and a shared approach. It’s definitely worth contacting your network and making some reciprocal agreements in advance that can help in such emergencies – both local and international.

What else can you put into place as a Plan B or C? One thing that we always do is we develop a “Facilitation Agenda” which is a very detailed description of the process that we will use for the workshop. It includes the sequence of items and speakers, their titles and the titles of their presentations (for introducing them). It includes the group work and activities sequence, the timing and any roles. It can also include mock ups of job aids, flipcharts that need to be created on site, and any other process considerations (how to run the quiz, how to set up the room, etc.). Our Facilitation Agenda documents are very complete, and very long, but they also provide any experienced facilitator all they need to pick up the process and go on with it. A materials and equipment list completes the process pack.

It is also good to make sure that this Facilitation Agenda is developed with your counterpart in the organization, so that they know exactly what the process is, the rationale behind it and the expected outcomes. This helps them better hand this over to a substitute facilitator if need be or even, if they are happy to do it, take on this role themselves, or find another internal person to do this as a last resort.  You can even anticipate this with your counterpart and identify another process person within the organization to have a talk with in advance, as your Plan B.

Thankfully, in my case, the winds were with me. My workshop in Geneva ended promptly on time, and as luck would have it, I shared a taxi to the airport with a Norwegian participant who knew all about the local transport system where I was going. He told me all the ways to get to my destination in case I missed my connecting flight - from renting a car and driving the 3 hours north, to crossing the bridge from Denmark to Sweden and taking the train after midnight. Both would get me there in time for my event. Armed with bountiful Plan B’s, and after a brisk run from gate-to-gate in Copenhagen, I made all my connections and showed up in good shape for my event, much to the relief of my Swedish counterpart who stayed up very late until she received my “I’m here!” text message.

It’s definitely worth coming up with contingencies before you really need them. I heard a TED talk recently by a Canadian neurologist Dr. Daniel J. Levitin (it was about the importance of pre-mortems, inviting us to plan ahead for stress), who reminded us that when you’re stressed, your brain releases the hormone cortisol which makes your thinking fuzzy.

You don’t want to be fuzzy-headed trying to develop your Plan B. Well in advance, when you are calm,

  • 1) Get your network of potential stand-in facilitators in place (local or otherwise);
  • 2) Make sure your process is well documented to the final detail (Facilitation Agenda);
  • 3) Brief your counterpart (so they are fully aware);
  • 4) Know all the alternatives (routes and all);
  • 5) Wear good shoes and travel light.
Chances are you won’t need these things, but if you do, you will be happy to have your Plan B, C, and D in place. It turned out to be a beautiful summer day for an event in Sweden!

Sunday, October 11, 2015

Take a Picture, It'll Last Longer (A Cautionary Tale for Facilitators)



The conference centre staff were confronted this morning with the following appeal - PLEASE DON'T TOUCH THE PAPERS - written in foot-high capital letters, and strategically placed in front of the door to our workshop room, the walls of which were plastered with flip chart templates, timelines, prioritised project lists with actors designated - the golden nuggets of our intense working meeting. 

Before leaving the room the night before I also took photos of everything, even though the next day we would work together again, further develop the ideas, layering additional information and meaning over our previous day's outputs.

In the past, I would have waited until the end of the workshop to take these photos, so as to have the final artifacts, organised and polished. But not any more.

At a 3-day workshop in Paris last month in a beautiful new hotel we were also working visually. The walls of our meeting room similarly featured the colourful results of our first 2 days of work and discussions, decisions and ideas. The outcome of this strategy meeting was critically important in the life of this group. We were excited as we left the room the evening of Day 2 to have the few hours on our third morning to carefully review our work, synthesize and prepare the outputs and ambitious work plan going forward. 

I guess you can tell where I'm going with this... for the first time in my professional experience, right in the middle of a 3-day workshop, we walked into the meeting room an hour early on the morning of Day 3 and were confronted with the brutal reality that the night cleaning team had taken down and removed absolutely everything from the walls, all our flipcharts posters, templates, papers from our tables and all of our workshop materials! It could have been any other empty meeting room in the hotel. In a very controlled, surprisingly calm and professional way we freaked out (then we got to work).

You might think that this was a bit of an overreaction, but if you are using a visual discussion methodology that collects and organizes outputs on flip charts, posters and templates, and a group of 15 people and the host organization has collectively invested 320 person hours (effectively 2 person months of time), tens of thousands of Euros in logistics costs (having flown in from all over the world), and the equivalent monetary figure for their professional time, then having these documents removed is a very big deal. 

We hurried to recreate the results from our handwritten notes and memories, the hotel having been quickly alerted about the loss. An agonizing 15 minutes later, we were relieved to hear from the hotel staff that a thorough search of the cleaning closet produced a bag of our flip chart sheets and materials - the new night staff member had been told to clean the room, had taken the instructions literally, but clearly had not felt confident to throw everything away. 

We re-posted our slightly crumpled flip charts, taking the opportunity to reorganize them, and were done 10 minutes before our participants arrived. I took photos again, and learned a lesson - make records as you go along rather than at the end, just in case!

Wednesday, May 06, 2015

Encouraging and Evaluating Impacts from MEGA-Conferences

Colloque BIOFILMS 5 à Paris.

They cost millions to put on and convene the best and brightest of a community - how can you channel that collective strength for collective impact and, in the end, how can you tell?

I just returned from 7th World Water Forum in Korea, where numbers of attendees were reported at 41,000 people. I also worked at the 6th World Water Forum in 2012, with 35,000 people. That’s a lot of talent in one place.

Is there an Expectation of Learning and Impact?

It is interesting to think about the cost-benefit for individuals and organizations for participation in such an event. If you were on the Learning Team for such an event (do these events have learning teams – maybe that is Suggestion #1!), what might be some of the ways to first, identify desired learning (organizational and individual level), foster that learning through design and format, help record outcomes for monitoring and sharing, and see what changes people are making based on their learning and participation?

I’ve seen and worked with some different approaches and, taken together, they make for an interesting thought exercise and potentially an opportunity. Here are a few ideas for consideration.

1) Use a Facilitation Team to ensure interactive learning in Conference Sessions

Conference don’t have to be panel after panel of 9 speakers giving their ideas from a podium of behind a table and a short Q&A (IF the speakers don’t go over their time) for those bold enough to stand up in front of hundreds, or lucky enough to get the attention of the person with the roving microphone.

Interactive learning is possible even for very large groups, and even in theatre set up (although round tables are MUCH better – this can work for 400-600 people in a ballroom, at least it has for us in the preparatory meetings for the 6th and 7th World Water Forum.) I have written a blog post about facilitating large groups (When Numbers Soar: Facilitating Large Groups) and it is certainly possible with good design and professional and confident execution. It might take a moment to flip your audience from passive half-listening/texting observers to active contributors, but once you have their attention the opportunity engage and crowdsource ideas, suggestions, solutions, etc. from such a large group is incredible.

A good facilitation team can also help create consistency and support reflective practice throughout the event, when these questions and practices are built consistently into the agenda of events. With the whole facilitation team introducing this in all parallel events.

2) Introduce a Conference Activity Handbook

At another large conference I facilitated recently, we created an Activity Handbook that was put into each conference pack, and had a couple of different purposes. First, it guided participants through the conference, each session had an entry that engaged the participant in some way, from a place to write their goals for the event (Session 1), to places to record answers to specific technical questions, a self-assessment that started one session, a quiz to warm up on another, an action planning template for the final Session (to record follow-up to the conference of people, ideas) etc.

The resulting Handbook once completed, was a take-home artifact from the conference that reminded the participant of his or her learning, thoughts, ideas, and actions. It also included other key information – contact information, URLs of resources, etc. all in one place. But unlike any Conference brochure, this participants interacted with daily and became a living record of THEIR event.

Even in a larger event where people are moving around to different activities all the time, such an Activity Handbook could be helpful to guide people through their experience and structure reflection. If there are facilitators, they could start and end their sessions with a reflection question recorded in the workbook (“Open your Activity Handbook to page 16 and take a minute to reflect on what you want to learn today – make a few notes for yourself and I will give you a couple of minutes to share this with the person sitting next to you”,or “What was the most important key message from the sessions you attended today”, “What is one thing you might do to follow up on something you learned today?” etc.)

If people need an added incentive to complete their Activity Handbook, offer a completion gift to those who complete their book, such as a mug or water bottle with the conference logo, available in the exhibition area at Stand X – ask people to come towards the end and show their completed booklet for this gift. (There was such a gift at the recent World Water Forum, although you only needed to answer a few questions to get it, but almost all people I spoke to found their way to the exhibition hall stand with their voucher to collect it). As people get these items in their conference bags anyways, why not give them a little homework to get it?

3) Ask Organizers to Develop and Participants to Contribute to Next Action Plans

One of the features of the World Water Forum process was the expected output of an Implementation Roadmap (IR) from the different thematic streams of the conference (every conference seems to have an organizing principle of some sort – often thematic). The organizers’ reporting templates from the different thematic sessions were made consistent with this and individual session organizers were asked to collect ideas from participants in their sessions that could be integrated into a thematic IR.
The idea of this Implementation Roadmap was to capture in one place all the ideas and actions that stakeholders attending identified and felt are helping achieve some desired change in their subject area, so that they can be executed after the conference and this execution monitored. Each IR had one or more coordinating organizations who volunteered for this role (because it is central to their work), and participants in their sessions could indicate how these Implementation Roadmaps could improve, if they wanted to be involved in follow up, and what they could contribute.

Of course this only works if there is engagement and good coordination prior to the conference, real interactivity in the sessions (see Facilitation above) and if there are resources made available (time, energy and potentially funds) for this follow-up. The organizers must take this seriously and support it. More information on the IR process can be found on the 7th World Water Forum website. As this event is each 3 years, Coordinating organizations can be asked to report on progress and results from their Implementation Roadmap work. Central coordination over the interim period to keep momentum is an important additional role for the main organizer. Without this, probably only a small percentage of these would produce results, based on the sheer will and investment of the thematic coordinators.

4) Follow Selected Individuals for a Conference Impact Study

We did a Curriculum Impact Study at LEAD International when I was the Director of Capacity Development there and this was a really interesting and effective way to see how a learning experience impacted individuals participating in the programme. This could be an interesting addition to a large conference M&E and learning process, and help answer the questions – what changed? and was it worth it?

In the LEAD process, we identified a select cross-section of participants (different countries and different sectors – we had 18 in total), and invited them to participate in our study. This process took some time, so they had to be aware of that and committed (in the case of a conference, could they get a reduction on their conference fee by participating?) We started prior to the formal learning events, and went on for a designated period afterwards.

The study started and ended with an interview that we administered. The initial Orientation Interview included key questions that established a base-line of the individual and their organization, and identified an issue or issues that they and their organization would be dealing with over the next two years where they might apply their learning, etc. After the initial interview (also to explain the process), the exercise was journal-based (there were three Journals) with key reflection questions at periodic points that were triggered by dates, reminders, and email. The journals were collected and analysed (and returned) and case studies following the learning and learning application process of the individuals were written (not using the original names and organizational names).

This impact study provided a more detailed way to understand the impact of the programme on their professional and personal lives. Based on your overall goal of a conference (such as more conservation impact on the ground), such a study could help understand what participants do to prepare, engage during and integrate into their practice afterwards. It also helps identify places where the organizers can support participants more – maybe the preparation needs to be more directed and different, maybe the sessions need to be more interactive and engaging – as people spent most of their time in the exhibition hall (or maybe more needs to be programmed there), or more support in identifying or using the learning, etc. This kind of impact study of individual’s experience with your mega event can give insight into this.

5) Design a More Deliberate Learning Programme

All of the above need good design, preparation, coordination, guidance, consistency across a complex event with many moving parts. Lessons? This needs coordination, guidance, and consistency, and a central team with an overview of the learning goals and enough advance time to prepare the different elements so that the experience is reinforced throughout the conference.

Of course, this also costs money, but then you just invested millions to get everyone there. Doesn’t it make sense to invest a little more to make sure you get as much impact out of the conference as possible?

Fotolia_1339788_XS

Sunday, November 16, 2014

Lessons I'm Learning About How to Be an MC (Master of Ceremonies)


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As learning practitioners we play many roles - we are process designers and facilitators, panel moderators, skills trainers, advisors, team coaches, and sometimes we are MCs (Master of Ceremonies), helping weave together the different learning threads of a larger event.

I recently took on this role at the Women's Forum, having done this on a number of occasions with other groups. This event had high production values, with beautiful lighting, a 360 degree stage, video cameras and screens in all directions recording and simulcasting, professional makeup and a “Madonna” mike (as they called it), and, I might mention, 1500 people watching every move you make (or at least the intention to).

I personally find this role - Master of Ceremonies (we couldn't come up with a satisfying gender neutral alternative -any ideas?) - more than a little nerve wracking. To get to a place of comfort in this role I tend towards over preparation. However, I won't apologize for this; that’s what it takes for me to do a good job in this high visibility role. I want to help make participation meaningful for everyone in the room, add value and interest – spark curiosity and maybe some surprise to grab attention, and help connect the dots of the event for people. Now that I have done this for a number of events, I thought I would record and share my tips for preparing and delivering as an MC. I divided my reflections into four parts: what I do in the weeks before, the day of the event, moments before, and onstage.

red seats
Weeks Before

1. Get the Programme: Be proactive and request early versions of the Programme and keep in touch with the Programme manager about changes. Make sure you always have the latest agenda (this can change daily nearer the event when speakers and moderators cancel at the last minute, or even miss their flight). You don't want to introduce the wrong person in front of 1000 people. It might be tempting to wait until things settle to do this, but don't; it will be a big job to get on top of it and identify the main threads all at the last minute. Plus your antennae will be up for interesting facts and initiatives in all the other meetings you attend and newspapers you read, and new ideas will come to you as the programme and its key messages percolate in your brain.

2. Build Your Background: Read about the speakers and the conference themes. This research can be considerable if you are the MC for the whole event as I was, with 13 different sessions, themes, panels and speakers. I estimated that it was like giving 13 Toastmasters icebreaker speeches in 3 days, each one taking some 5 or more hours to prepare (research, collect ideas, write, edit, make notes, brief speakers/moderators, practice, practice, practice).YouTube is a great place to listen to other speeches given by your speakers, to hear their perspective and main messages, and to see how other MCs and moderators have worked with them.

3. Get Inspiration: Once I had my session themes I looked into a number of directions for inspiration. TED is a great source, in fact I spent the week before this event at TED Global in Rio and found some good leads for interesting facts and angles. The news and current events is an obvious source and I read newspapers and periodicals cover to cover (even sports!) for a change in the weeks before the event, as you never know what facts or questions might come up on stage.

notebook
4. Make a Notebook: This is actually a step the “maker” and tinkerer in me enjoys. This year I used an A5 sized notebook, with the pages that you can take in and out along those plastic discs (because things will change!) Use any notebook that you can change the order of the pages and put new ones in easily. Use dividers by day, and then within the days each session has a page. At the top I have the title, timing (when to meet speakers, time of session), list of speakers with their titles, the objectives of the session, notes on the choreography (if there is a sequence to introductions, if there are chairs or if the speakers stand, etc.) and then my script (see below). This makes it easier to practice session by session and quickly check details if there is a question (how will you introduce me) or a change in the programme. Carry your notebook around all the time and use post-its to note any ideas that pop up on the appropriate session page, to integrate later.

5. Write Your Script: I always write out my scripts completely first, then edit them and tweak them repeatedly, as I am more of a writer than an off-the-cuff speaker. I write out the narrative word-by-word first, including interaction with the audience (and put this in my notebook). Then I start to boil it down to bullet points with sub-text, and then the final step is to define headlines/key words to trigger my memory of the associated text.

Note that I always build in interactivity (mapping the audience, introduction to your neighbour, etc.) early in my scripts to liven up the participant experience and engage the audience but also to give me a moment to look at my cards if need be. It shortens the length of what you have to commit to memory before you can pause and regroup/breath/centre yourself once onstage. So I write these breaks into the text. I also include short stories/vignettes that I can tell as they are easier, once you launch into them, to remember and tell than a list of facts. You want your introductions to be thought provoking, meaningful, and relevant to the audience. It should make then want to hear and think about the next session and not choose instead to go and get a coffee or stand in line for the photo booth. It's not as easy as you think.

black cards
6. Prepare Prompt Cards: In all the photos and videos of me as the MC at the Women’s Forum, you will see that I have notes in my hand. They are my bullet points and key words written on black card stock and cut to hand size. I write on them with a white pen. This draws much less attention than white, dog-eared, A4 papers flapping around as you wave your hands. At TED Global I noticed Chris Anderson and Bruno Guisani had small cards in some sessions, held with a single metal ring on the upper right hand corner, so you can flip cards easily and quickly as you are talking. They also from time to time had a bright red Clip board. All of these things work, and look good, choose your favorite, prepare them in advance, and if there is any doubt that you might forget the three line title of the fifth speaker on the panel you're introducing, use them!

Put what you need on the cards, after practicing you will know the places where you trip up or forget or get the two parts of someone’s last name turned around (people care about this!). The cards I hold on stage have some of this bullet point text (especially the transitions - opening words and closing words for each idea/story), and the key words written larger that I can glance at if needed.

7. Practice!- Once I make my cards, I carry them around and practice everywhere in the days before and during the event. I take them with me to cafés, I pace in my hotel room, I go through tricky text transitions, or complicated names, or super long titles ( and there will be many) before I go to sleep and before I get up. You can do this with your eyes closed.

Doing this will also help you revise and change word order or transitions so the words and narrative seems more natural. Once you are familiar with the written script, you will be able to slow down and get comfortable as you know where you're going with the text. And this will make that last minute additions or name changes less of a problem (e.g. when a speaker asks you to call him or her by their nickname rather than their formal name just before going onstage, etc.)  You want it to be super smooth and easy onstage and this takes a lot of work! I had several speakers ask me if I was using a teleprompter, which made me smile. Maybe it's my line of work, but I haven't seen one of these yet! ( I have heard of an iPad app, and have seen moderators use ipads once in a while, but I will probably continue to do this the old fashioned way for now).

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The Day of the Event

1. Confidence and Looking Good- I will venture that this applies to anyone getting on a 360 degrees stage ( or any stage where you are being watched by a thousand plus in the room, any number on simulcast, and then for perpetuity on the internet.) We all have our strategies. I got my hair done professionally, it’s the only time a year I do! There was a professional makeup station in the Speakers Room, where we convened for our Speakers briefing 30 min before going onstage, because the lights and filming can do funny things to your features and complexion.

You need to think about what to what to wear (stage and mike friendly clothes). I was always on my feet and walking up and down the steps before and after speakers, interviews and panels. For women, low heels are definitely best and your feet will thank you at the end of the day - I stand up about 10 min or more before the scheduled end of any session just in case it stops abruptly and you need to hustle up (elegantly of course) on to the stage. You don’t want any tripping. For the microphone, if you have a hand mike no problem, but I try to avoid that as I want to be able to clap and I will also have my cards in my hands. So a Madonna mike works best, and for that you need a belt or some hidden way to fix the Madonna mike to the back of your clothing (jacket, belt, or camisole). The sound team also discouraged earrings (actually taking them off me) as the can can clank or get caught in the mike.

I try to wear something interesting and colorful, even a little sparkle if you can get away with it ( I'm thinking more of necklace or pin than full length evening gown and tiara). This goes for all speakers but especially the MC as people see you over and over again on stage all day. Remember that they will be looking at you at 8:30 in the morning and 8pm at night, and tired or hungry or in need of caffeine, you can at least try delight both minds with your words and eyes with your turquoise and magenta scarf.

2. Speakers Briefing: As noted above, having a scheduled meeting of speakers directly before the event is incredibly useful and serves a number of functions. First, it lets you check that all speakers are present- there’s nothing like introducing someone who is stuck in traffic 3 km away. Second, it lets you go through the mechanics of the session with all the speakers together. You might have done this before with the panel moderator or even all the speakers, but it will only be when they see the stage and the huge audience sitting around it that they will really want to know who walks on first, what chair they should sit in and how long they can talk. Finally, it lets you check name pronunciation, title accuracy and give them confidence in how you will introduce them to the audience and frame their session. And of course it lets you establish some rapport and remind them of your name so they can talk to you on stage and thank you by name. These little touches make the session seem more friendly and less formal or staged - that makes the audience feel more comfortable and the discussion going on in front of them more accessible.

3. Bring Food: You may not have time to, or want to, stop for the scheduled meals. It is hard to “grab and go” when you are the MC as everyone knows you and you will get stopped for an interesting chat everywhere you go. If you need to prepare, you might rather eat your Power bar in your room.

girl holding a bag. closeup
Moments Before

1. Where are Your Cards? At this stage you are still keeping the prompt cards for the next session in your hand and now only thinking about one session at a time, literally relegating anything from the next few sessions to the back of your brain and the past and upcoming cards to your bag.

2. Your stuff- When you're onstage you don't have any place to keep your stuff, bag, other papers, lipstick etc. Find that place first, so you are not looking under every chair for it at the end of the session, because as soon as you stand up, someone else will sit in your empty chair (even with a reserved sign there is something oh so tempting about a front row seat) and by the end of the session you will have sat all over the place. Bring the minimum, and put it under the chair of your neighbour or someone you know who will not be jumping up all the time to take the stage. This might seem like a small point, but it will take up residence in a small paranoid spot in your mind that you need to be totally zen and not worried about your handbag.

3. Take a deep breath: Ok, you are about to walk up those steps. Breath deeply and smile. You might want to do some Amy Cuddy “Power Posing” to get you ready and confident to go onstage. I also write at this stage on my first card at the top in big letters “SLOW”, “BREATH”, “PAUSE”, for obvious reasons. If that's the only thing I register in the bright lights and 2000+ eyes! then the rest will go much easier. Then you step up, confidently…

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Onstage

1. Voice/Body: As there are books written about this, I will only repeat two pieces of advice given to me by Lizzie the first time I did this big stage work: 1) Pause before starting and look at the audience (I am an MBTI ENFP and tend to open my mouth first and think later, this helps enormously); and 2) Emphasize at least one word in each sentence. It can literally be any word, but do that and it immediately adds interest, voice inflection, and give you a natural pause (breath, think, collect visual feedback). Even if you only do this at the onset of your introductory remarks, it will help with flow. Try it!

2. Try to Enjoy Yourself! I have to tell myself this over and over, and to be honest it starts to be true only about 1 hour into the day, when feedback starts sinking in. I know intellectually that it is a great privilege to have this role, as well as a great responsibility, and that the role should be fun and I should try to enjoy it. But it takes me a while to get here. Once I start seeing positive reactions with my own eyes and hearing it from others, then the mantra starts to have the desired effect. And this calmness and sense of enjoyment is critical for me to calm the voices in my own head so that I can deeply listen and connect into the richness of what is going on onstage.

And there you go!

I can not emphasize enough how important good event structure and design is. When you are done, thank that terrific Programme manager  for their months of effort in Programme development, identifying timely topics, the right speakers and developing the briefing notes that were sent out in advance. (Thank you Jennifer!)

Being the MC isn't just memorizing titles and names and the sequence of sessions. In its best and most helpful form, it is a guiding, weaving and connecting role. It helps people understand why the topic is interesting and important for them, why they should listen and why they should care. It connects the different sub-themes into a powerful whole. In creating meaningful frames, it helps the audience connect to the broader narrative of the overall conference, and invites them to draw their own learning. This is the work of the MC from my perspective.

A gentle warning, this kind of work is both mentally exhausting (you are probably the only person in the room that is present and deeply listening 100% of the time) and physically exhausting (reread shoes part). And it is at the same time incredibly gratifying to support collective learning, one thousand people at a time, in this way. If you get the offer, take it, and bear in mind that it is more than just walking on stage on a very exciting day.

Wednesday, August 27, 2014

Working with Values and Frames: Practical Lessons for Process Designers and Facilitators


With thanks to Guest blogger: Cristina Apetrei 

Back in January my friend Gillian and I were planning to go together to a Common Cause workshop, but we both cancelled last minute due to work obligations. When six months later I did manage to attend a similar event, she was very eager to hear what I learned and kindly invited me to write a guest blog post to share my experience with all of you.

Common Cause is an initiative started in 2009 by several NGOs in the UK who wanted to engage in a broader conversation about the values at the core of our society and what is needed in order to get more public engagement around various global (sustainability) issues. In an initial report - Common Cause: The Case for Working with our Cultural Values (September 2010) - they looked at social psychology and cognitive science to investigate the relationship between values and behaviour. Later some of these findings were summarized in the Common Cause Handbook – which I recommend as a quick introduction to this discussion, although the full report is much richer.

The main practical conclusion is quite simple: An organization might well be striving for a certain idealistic goal, but it will not be very effective as long as it communicates in a language that enhances values which conflict with that goal. Therefore, we should always pay attention to how we frame and contextualize our messages, and be on the lookout for the implicit values that are being reinforced

Common Cause also says that some values are held more easily together by the same individual. To give an example, a campaign that frames the installation of solar panels as a way to save money on the energy bill reinforces the so-called “extrinsic value” of “wealth”. This value however is in conflict with values such as “protecting the environment” or “equality” that would be required for deeper engagement with the issue of climate change.

But value communication goes beyond the text of a campaign or the copywriting of a website; it also includes the context of an event or the overall culture of an organization. No communication is value-neutral, the Common Cause report argues, so try to nurture intrinsic values (self-transcendence, see Figures 2 and 3 How Values Work) rather than extrinsic ones (self-enhancement) if you want to see behaviours aligned with bigger-than-self goals.

Of course, one may read between the lines an implicit moral dimension here, suggesting that some values would be preferable to others, and this remains an open point for critique and debate. Nevertheless, I believe that the Common Cause approach at the very least makes us aware that not only are our behaviours determined by our values, but also that our actions shape the cultural value landscape that we are part of. As activists or sustainability workers, we are reminded that change does not happen in a vacuum, but requires a certain set of conditions to be met in our environment.

This has implications also for the work of a process designer and a facilitator, whose art is precisely about creating a space that is favourable to a positive outcome. I try to give a few lessons below:

1.      1. Think about the implicit frames and values of the participants
a.   Understand existing frames: Consider not only what each participant sees as the problem and the solution, but also the cultural frames that they may be employing in their evaluation. What stories do they have about the issue at hand, who is to blame in their view, who should take responsibility and why?
b.   Understand values: What underlying values do these frames elicit? Are these values compatible? Is the spectrum of values represented around the table very broad and what could be common ground for a solution?

2.       2. There may be more space for agreement than it appears
One of the findings of the Common Cause report is that people are not selfish, but value intrinsic goals more than their own interest. Also, appealing to people’s intrinsic values will over time reinforce them, while appealing to conflicting values will create confusion. If we take such insights as premises, how could the problems (or the difficult points) be reframed in a way that allows participants to more easily see the common ground?

3.       3. The context of the facilitation session  and dialogue matters
The space in which an event takes place also embeds certain values. To the extent to which you can influence the choice of the space and its setup, consider the following questions: Where does the session take place? Is it in a sumptuous room or is it on neutral ground, in an environment that makes everyone feel equal? What about group dynamics: who are the actors organizing the event and what is their relationship to the rest? Is there a speaker dominating the room or are hierarchies being reduced?


Whether you are working as a researcher, consultant, activist or facilitator, I hope this post will make you a bit more aware of the subjective fabric behind words and inspire you to think of your own role in promoting some values over others.

(From Gillian: Thanks so much to Cristina - also a Fellow Balaton Group Member -  for her intriguing post and report back from the Common Cause workshop - it sounds highly relevant, particularly to the communication and convening work that we all do continually in the sustainability community. Next time I will try to attend myself!)

Saturday, July 05, 2014

11 of 11: Suggested Facilitation Strategies - Guiding the Group Process and Knowing When to Hand it Back to the Participants

Our last post in this series of Suggested Facilitation Strategies is on ensuring that you valuably and dependably guide the process and the group; and that still hand over to the group, fostering ownership and self-reliance. This is a critical skill for any Facilitator.

Consider the following:

(1) Checking-in with the client and group is key.  Help them reflect on what they are achieving and how they are progressing with their outputs as well as their hard and soft outcomes.  

(2) In some cases you might like to introduce models (such as Tuckman’s Theory of Group Dynamics) and ask them where they think they are at the start.  Then see if they think they progress towards different stage(s) during the event.  

(3) Design activities towards the close of an event that have increasingly less presence of the facilitator, such as a session using a self-facilitation technique (such as a ‘talking object’ which is passed among participants by participants, or a ‘Samoan Circle’ in which participants control who is ‘in’ and ‘out’ of the speaking circle at any moment).

(4) Conclude events with the group determining its own next steps and summarizing itself the progress made (rather than helping them with this), as well as reflections to one another in a ‘closing circle’, heightening group identity.


General conclusions

Continue to think into and work on your learning edges.  Write these down.  Consider the strategies suggested here and others you can identify upon individual reflection or conversation with peers about learning to best improve your facilitation practice - using your personal preferences to the full where they strengthen your practice and managing your preferences where they entail risks.

Return to the start of the series > 1 of 11: Suggested Facilitation Strategies: Me, My Behavioural Preferences & My Facilitation Practice